Wednesday, June 16, 2010

Censorship: A Mini-Unit

Lesson 1: As an anticipatory set, I would create and administer a survey to students, asking them about their tastes in music, TV, film, and books. As a class, we would then create a graphic representation of the information gathered and refer back to it as we worked through the mini-unit. Then, the students would be asked to reflect in writing in discuss as a class the following questions:
1. Of the music, films, TV shows, and books that you enjoy, are there any that your parents don’t like or don’t want you to watch? What are those songs/shows/books?
2. Why do you think your parents don’t want you to listen to/watch/read those things?
3. Why do you like those songs/shows/books?

This reflection and discussion would lead into a discussion of what censorship is and it’s history. I would probably find an article on censorship from our school’s media center databases, and ask the students to read it for the following day’s activities.


Lesson 2: After reading the assigned article, students would hopefully have a better idea of what censorship is, where it comes from, and what people do to stop it. We would put our ideas into practice by examining a specific example. I might use the “Cop Killer” song that we used in class, or I might find another, more recent song by someone like Eminem. As a class, we would listen to the song and analyze the lyrics. After we analyzed the song, the students would break into groups and each group would be assigned an identity: concerned parent, music industry executive, minority or group “attacked” in the song (women, homosexuals, African Americans, etc), teenager, school principal, etc. Each group would be asked to identify the stake their particular identity had in the song and its distribution, and also come up with a statement summarizing why this identified person would or would not support the censorship of this song. This would serve as preparation for the culminating activity.


Lesson 3: The Great Censorship Debate! This lesson might take several days to complete, due to the amount of prep work required.
The Situation: An English teacher at the local high school wants to use the Harry Potter books as required curriculum in his or her 9th grade English class. Certain groups are furious and do not want the books used at all, while other groups are supportive and would like to see the books used. To figure out what to do, tProxy-Connection: keep-alive
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school board will be holding an open meeting to hear from both sides of the argument, as well as allow attendees to ask questions, before they make a decision.

The Set-up: Students will be assigned to one of three groups: Those in favor, those opposed, and the audience. All students will be given a day or two in the media center to research ALL sides of the issue. Then, each group will meet together to compare notes and come up with a strategy. For the actual arguers, they will prepare a statement expressing their view and a refutation and rebuttal of the opposing side. The audience will prepare insightful questions to ask both sides during the Q&A section of the debate. For greater challenge, students could be given different identities within their larger groups as well.

The Debate: Students will have a day in class (preferably a block day) to have their debate. If they desired, students could invite the building administrators or actual school board members to hear their debate and offer some insight and feedback.

Reflection: Following the debate, students would reflectively discuss what they discovered and offer evaluative suggestions on what they think should be done. They could also discuss censorship and its ramifications as a larger social issue as well.

Tuesday, June 15, 2010

News Analysis: Teaching Ideas

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Friday, June 11, 2010

TV News Analysis: WCCO, 10pm, 6/11/10

Viewing Log

Station: WCCO Date: Friday, June 11, 2010 Time: 10:00 P.M.

Time

Type of content

Type of stories

5 min, 13 sec.

News—local

Crime stories: attempted sexual assaults, a stabbing in an office building, a possible kidnapping, follow-up to attempted bank robbery

Labor news: Nurses’ strike and video clip of confrontation between nurses and hospital employees

Health/Wellness story: more people affected by e. coli-infected milk from MN farm

Human interest: Pool safety classes founded by members of family of girl who died in pool accident

Public concern: Pack of coyotes spotted in Inver Grove Heights

4 min, 08 sec.

News—national

Environmental: Gulf of Mexico-BP oil spill

Global-local connection: Three MN hikers being held in Iran

Natural disaster: Flash floods in AK

Human interest: Teenage sailor found and being returned home

Editorial on parents of teenage sailor allowing her to sail around the world on her own

6 min, 02 sec

Sports

International: World Cop

National: U of NE joins Big 10—2 separate stories

Local: Recap of tonight’s Twins game, Vikings mini-camp—A.P. a no-show, Childress upset

High school: current state tournaments—softball, track, lacrosse

2 min, 06 sec

Entertainment/education

Nightly segment called “Good Question” with Jason DeRusha

3 min, 31 sec

Weather

Full forecast and recap @ end of news


Reflection:

I will admit it: I do not normally watch the news. That probably makes me a poor citizen, but the news is usually so depressing and not as informative as I’d like it to be, so I just skip it. I scan the newspaper at lunch every day for my daily take and occasionally click on stories online that interest me. Therefore, it was interesting for me to sit down and actually watch the news, top to bottom tonight.

The first thing I noticed was that WCCO follows the shock news pattern for its ordering of stories. The first three stories tonight all concerned crimes, with the most recent and dramatic story starting the broadcast. I will give the station credit for not sensationalizing the story of the attempted sexual assaults. The story was informative and to-the-point and clearly did not want to scare people more than necessary, but it would have been good for them to include some safety tips for women as part of the story. The next biggest local news story (based on the amount of time allotted) was the story on the nurses’ strike. This is obviously a big story due to the number of people affected by the strike and the contract negotiations. I felt like the story positioned me to respond favorably to the nurses because they talked about how some nurses weren’t allowed to return to work today and how that was in violation of their contract. The story claims the hospitals are saying there’s no specific clause describing procedure for nurses returning from strike, which makes the hospitals sound a little sketchy and retaliatory.

The biggest national story is, not surprisingly, the oil spill in the Gulf. Given our nation’s renewed interest in the environment plus the recent focus on that region due to Hurricane Katrina, it’s no wonder that this story garners a lot of attention. The popular opinion definitely seems to be that BP is totally responsible for this mess, and the story reinforces that opinion. It also contains some shock value, as it reports that scientists are now claiming that more oil leaked out then was originally thought. Now that the spill has been mostly contained, the news media need to keep up the interest in the story, and reporting new findings like this keeps the story fresh and engaging.

Sports definitely got the most coverage, with the most time devoted to local sporting news, like the Twins victory over the Braves, Adrien Peterson skipping the Vikings’ mini-camp today, and the on-going state high school tournaments. The reporters did a nice job covering the Adrien Peterson story because they shared both Brad Childress’s frustration and a teammate’s support for Peterson’s decision. It’s not ground-breaking news, but Minnesotans expect a pretty high level of responsibility and work ethic from our sports figures, so this story would be of interest to many MN sports fans.

We Minnesotans love to discuss the weather, mostly because we get so much of it, which explains why the weather was allotted 3 ½ minutes in the broadcast. I also enjoyed the entertainment-driven nightly feature called “Good Question” with Jason DeRusha. Viewers email or text in questions of any variety and DeRusha investigates to find the answers. Tonight’s questions related to the rainy weather we’ve been experiencing lately, the nurses’ strike, how streets are named, and why police officers are allowed to be on computers while they’re driving when regular citizens aren’t allowed to text. I think this segment is designed to make viewers feel like they’re a part of the show and be entertaining and educational at the same time. In a small way, it encourages curiosity and investigation, which is always good.


Media Representations Activity

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span+style%3D%22font-weight%3A+bold%3B%22%3EIntroduction%3C%2Fspan%3E%3A+In+class%2C+I+would+show+a+selection+of+clips+from+popular+TV+shows+that+feature+teenagers+in+leading+and%2For+supporting+roles.+After+watching+the+clips%2C+we+would+brainstorm+a+list+of+similarities+and+differences+between+the+clips%3A+character+types%2C+settings%2C+topics%2C+plot+devices%2C+themes%2C+etc.+Once+the+list+was+created%2C+we+would+examine+it+for+any+patterns.+Then%2C+we+would+discuss+why+the+same+things+and+patterns+keep+showing+up+over+and+over+again.+At+this+point%2C+I+would+present+a+short%2C+introductory+lesson+on+media+representations.+++%3Cp+class%3D%22MsoNormal%22%3E%3Co%3Ap%3E+%3C%2Fo%3Ap%3E%3C%2Fp%3E++%3Cp++class%3D%22MsoNormal%22+style%3D%22font-family%3Ageorgia%3B%22%3E%3Cspan+style%3D%22font-weight%3A+bold%3B%22%3EConnection+to+Self%3C%2Fspan%3E%3A+As+a+class%2C+students+would+create+a+list+of+common+representations+or+stereotypes+of+teenagers+that+they+see+in+the+media.+Then%2C+individual+students+would+write+about+which+stereotypes+they+identify+with+the+most+and+the+least.%3C%2Fp%3E++%3Cp++class%3D%22MsoNormal%22+style%3D%22font-family%3Ageorgia%3B%22%3E%3Co%3Ap%3E+%3C%2Fo%3Ap%3E%3C%2Fp%3E++%3Cp+face%3D%22georgia%22+class%3D%22MsoNormal%22%3E%3Cspan+style%3D%22font-weight%3A+bold%3B%22%3EConnection+between+self+and+text%3C%2Fspan%3E%3A+Each+student+would+receive+a+log+sheet.+Using+the+log+sheet%2C+students+will+be+asked+to+watch+a+certain+number+of+hours+of+television+or+film+in+a+given+time+period+and+make+note+of+the+representations+of+teenagers+that+they+encounter.+On+the+log+sheet%2C+they+might+record+things+like+what+show+they+were+watching%2C+which+network+is+was+on%2C+basic+demographic+information+about+the+characters%2C+types+of+characters+portrayed+or+any+number+of+other+things.+Students+would+bring+the+log+sheets+back+to+class+and+form+small+discussion+groups+to+share+and+analyze+their+findings.+There+could+be+a+group+sharing+in+the+form+of+a+poster%2C+power+point%2C+or+Glogster.+%3C%2Fp%3E++%3Cp+face%3D%22georgia%22+class%3D%22MsoNormal%22%3E%3Co%3Ap%3E+%3C%2Fo%3Ap%3E%3C%2Fp%3E++%3Cp+style%3D%22font-family%3A+georgia%3B%22+class%3D%22MsoNormal%22%3E%3Cspan+style%3D%22font-weight%3A+bold%3B%22%3EConnection+between+self%2C+text%2C+and+world%3C%2Fspan%3E%3A+Students+would+choose+one+specific+show+from+their+log+to+focus+on.+Students+would+be+asked+to+research+the+network+that+produces+the+show+and+investigate+the+connections+and+relationships+the+network+has+with+other+companies.+The+students+would+then+be+asked+to+present+%28in+their+choice+of+form%29+a+critical+analysis+that+synthesizes+the+information+from+their+log+sheet+and+their+research+to+come+to+a+conclusion+as+to+why+teenagers+are+portrayed+in+a+particular+way+on+that+show+on+that+network.%3C%2Fp%3E++%3Cp+style%3D%22font-family%3A+georgia%3B%22+class%3D%22MsoNormal%22%3E%3Co%3Ap%3E+%3C%2Fo%3Ap%3E%3C%2Fp%3E++%3Cp+style%3D%22font-family%3A+georgia%3B%22+class%3D%22MsoNormal%22%3E%3Cspan+style%3D%22font-weight%3A+bold%3B%22%3EExtension+option%3C%2Fspan%3E%3A+Students+could+then+form+groups+and+create+their+own+TV+programs+or+movies+that+accurately+portray+the+realities+of+teenagers%E2%80%99+diverse+backgrounds+and+personalities.+Or+this+could+lead+into+a+unit+on+satire+and+farce+and+students+could+create+programs+that+challenge+the+stereotypes+through+satire+and+farce.+%3C%2Fp%3E++

Teachers on TV: Analyzing Will Schuester

First off, if you have never watched the TV show Glee, you are missing out! So. Good.

I just recently got hooked on Fox’s huge hit Glee, a musical show that follows the trials, tribulations, and ultimately successes of high school Spanish teacher Will Schuester and his glee club, New Directions. Glee follows a time-honored tradition of teacher portrayals in the media. While there are some aspects of the show that seem to depart from the norm, a closer look reveals that the same problematic value systems underlie the character of Will Schuester as underlie almost every teacher character portrayed on film or TV.

To begin with, Schuester fills the stereotypical archetype of the teacher who fights for the underdog. In the Glee universe, being a member of glee club is something akin to being a leper. The glee students are routinely taunted, teased, and harassed via getting Slushies thrown in their faces for their participation. The kids are unusually talented and clearly VERY good at what they do, but they feel ashamed of their gifts because their peers do not value them. Enter Mr. Schuester. Mr. Schu, as the kids call him, is constantly trying to instill a sense of pride and confidence in them. He also is constantly going to the table for them, fighting the conflicted principal whose main concern seems to be finances and the scheming, conniving head cheerleading coach who wields an enormous amount of power in the school. As the advisor and director of several arts groups at my own school, I really appreciate the depiction of how hard it can be for arts-based programs to get the same support and recognition that sports teams get. However, the depiction of Schuester constantly fighting with admin and the kids is highly unrealistic. It adds to the dramatic tension in the show but does little to accurately show the difficulties teachers experience when they are trying to run an activity or athletic program.

I do give Glee credit for trying to show other aspects Will’s life outside of school, such as his relationship with his wife, except that the portrayal actually reinforces stereotypes rather than challenge them. Will’s marriage is on the rocks, in large part due to his devotion to his students. His wife even decides to fake a pregnancy to stop him from giving up on their relationship. Although I haven’t watched the whole season and thus have no idea how this plotline wraps up, I Proxy-Connection: keep-alive
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uld be willing to bet that Mr. Schu will sacrifice his personal life for these kids. While it tries to show that teachers have lives outside of school and does explore—albeit in a humorously overblown way—the difficulties and stresses of balancing work and home, Glee ultimately sticks to the same story: Teachers must sacrifice any semblance of a personal life in order to be successful with their students.

Another wrench in Will’s relationship with his wife is the adorably neurotic guidance counselor Emma, who is friends with Will. Again, I appreciate that Glee is trying to depict collegiality between teachers instead of setting up Schuester as alone without any support, but the crux of Will and Emma’s relationship is definitely the romantic tension. We do see scenes of Will going Emma to discuss an issue with a student or with the glee club, but it is abundantly clear that the purpose of the scene is to further accentuate the tension between Will and Emma, not accurately depict collaboration between colleagues for the benefit of a student or group of students. The other colleague relationships don’t do much better: Will is friends with the gym teacher, who is marrying Emma. The gym teacher is pretty much only there to act as a foil in Will’s relationship with Emma. He’s also portrayed in a stereotypically negative way: the big, dumb used-to-be jock who’s ironically out-of-shape for being a gym teacher. Then, there’s Sue Sylvester, the cheerleading coach and de facto villain of the show. She plays the drill sergeant stereotype with such gusto and dead-pan hilariousness that it’s impossible not to recognize the stereotype. Jane Lynch does a great job of making fun of the stereotype, but it is still a stereotype. Sylvester is also set up mainly as a foil to Schuester: where Sylvester is mean, pushy, demanding, and unrelenting, Schu is kind, concerned, empathetic, and supportive. It makes for very entertaining TV, but it does nothing to accurately portray the professional collaboration that happens between teachers every day in schools across the country.

While I still love Glee and will continue to watch it for its entertainment value, I don’t agree with its perpetuation of teacher stereotypes. The show has been hailed as original and inventive. What would be original and inventive is a portrayal of teachers that challenges the stereotypes and accurately reflects the important work we do every day.

Thursday, June 10, 2010

Shot-by-Shot Analysis of Commercial: MLB 10: The Show featuring Joe Mauer and Kevin Butler


The Shot

Meaning/Purpose

Joe Mauer inside the Twins clubhouse. A big, flat screen TV behind Mauer shows another man (presumably supposed to be a Twins player) playing the game he is advertising. Mauer is filmed in a medium shot.

This shot establishes Joe Mauer as the leading character in the commercial. The medium focus allows the audience to see both that Mauer is in the Twins clubhouse and the TV with the game in the background. The setting helps establish the credibility of the game—it’s being played inside a Major League Clubhouse. Mauer’s presence does the same—a Major League star plays this game.

Quick cut to Kevin Butler in his office at Playstation headquarters. Again, the game is shown being played on a large flat screen TV behind Butler. Butler is putting on a batting glove. And is also filmed in a medium shot.

This shot establishes Kevin Butler as the co-star of the commercial. The medium shot again does two things: it establishes the setting as Butler’s office at PlayStation and also shows the game again on the TV behind Butler. The setting in the office with the PS logo on the wall sets up Butler’s authority as a video game expert, but perhaps not a baseball expert.

Quick cut to scenes from the video game. Scene is “shot” from behind home plate at Target field as Mauer is at bat, from the third base line watching Mauer swing, from the ground as Mauer makes a tag out at home plate, and from the pitcher’s mound as the team celebrates. Butler voiceovers about how realistic the game is, commenting that it makes guys like him and Mauer—“who have no talent whatsoever”—feel like they’re part of the game.

This series of scenes displays the main claim/feature of the product: how realistic the images are. It also draws on Joe Mauer’s popularity by showing images o him specifically and quietly suggests another benefit—if you buy this game, you can BE Joe Mauer.

The scene also sets up the joke for the rest of the ad: Butler acts like he doesn’t know who Joe Mauer is.

Quick cut back to Butler in office, putting on batting glove.

Reminder to audience who Butler is.

Quick cut to Mauer protesting that he’s the AL MVP.

This series of scenes that quick cut back and forth are intended to entertain and amuse the audience. Humor is employed here in the gag that Butler acts like he doesn’t know Mauer until Mauer one-ups him with the picture of Butler in the hat and swimsuit. Butler uses word play when he intones, “Well-played, Mauer.” He’s referring to both the one-up-manship with the photo, but it could also be taken to refer to Mauer’s skill at baseball.

Quick cut back Butler. He’s now framed in a medium close-up shot. He doesn’t believe Mauer.

Quick back to Mauer, saying his name in tone that suggests Butler should know Mauer’s name.

Quick cut back to Butler, who says Mauer’s name questioningly as he looks off.

Quick cut back to Mauer in close-up, who holds up a picture of himself and Butler together, with a very large fish. Mauer claims they went to Cabo together.

Quick cut back to Butler, who claims he’s “not even allowed in Mexico.”

Quick cut back to Mauer, who holds up a picture of Butler in a Speedo swimsuit and a sombrero and asks, “Then where did I get this?”

Quick cut back to Butler, who looks peeved and says, “Well-played, Mauer.”

Cut to image of the cover of “The Show” in three different formats for PSP, PS2, and PS3 (which is placed in the center and is the largest). The tagline written above the games on a banner reads “The most realistic baseball game ever.” The voiceover says the name of the game and tells you the rating.

Shows product packaging, emphasizing the PS3 version of the game as the best by placing it in the middle and making it slightly larger than the other two versions.

Cut to PS3 slogan and logo.

Quick plug for PS3 as best system for the game.

Cut to Sony logo.

Quick plug for Sony, the company that makes PlayStation systems and products.

Tuesday, June 8, 2010

Teaching Film/Editing Techniques in the Classroom

Introduction: I would introduce the idea of techniques used in film and editing by putting together a collection of scenes from films and TV shows students are familiar with that make strong, purposeful use of the different types of techniques and share that with them in class. I could use a basic KWL chart or I could create a set of questions to be used as discussion prompts in class; Either option would get students to start thinking about the topic.

Terms: I would then go over the terms in class with the students. I would most likely create a power point that had the written definitions as well as links to videos that contained examples of the terms. I could then have students do a Think-Pair-Share, where they thought about films or shows they know that use the different techniques, pair with a partner to discuss their ideas, and then share their ideas with the class in a quick report out.

Guided practice: Once we established the vocabulary, I would lead the students through several examples analyses of different scenes. Once I felt they grasped the concepts, I would assign a group or individual project similar to what we had to do: an analysis of a scene from a TV show or movie. If they were in groups, I would have them present their analysis orally to the class. If they were working on their own, I would ask them to write up their analysis either in Word or in a blog if we were using blogs.

Independent practice: This would be similar to our shot-by-shot analysis of a commercial assignment.

Assessment: I’m borrowing this idea from Beach because I really liked it. I would have students create their own film adaptations, using short stories or narrative poems as their source material. Students would be required to script their production, as well as create a detailed storyboard that identified all the techniques they used. Additionally, I would require them to submit a written reflection where they reflected on their purposes for the choices they made. I might then publish their videos on a secure district server and invite other teachers, administrators, and parents to view them.

Veronica Mars: A scene analysis

Jennifer Farrell

TV Scene Analysis

Veronica Mars: An Echolls Family Christmas

What happens in this scene:

In this episode, Logan and his friends Connor, Sean, and Duncan had a high-stakes poker game. The leader of the local biker gang, Weevil, attended the game as well. When Weevil won the poker game, the guys discovered that the money was missing. Veronica investigated the disappearance of the money. When she figures out who stole the money, she forces Logan to host another game, where she will unmask the thief and take his place in the game. Her purpose is to win money to buy her dad tickets to a Padres fantasy camp for Christmas.

In this scene, Veronica shows up at Logan’s pool house, the scene of the first game. All of the players are there. She succinctly establishes why Duncan, Connor, and Logan couldn’t have stolen the money. She then unmasks Sean as the thief. Weevil escorts Sean outside, presumably to beat the snot out of him for stealing his money, and Veronica joins table. She promptly displays some card-handling prowess and the guys look worried.

Description/Purpose

Camera Shots

The first shot is a wider shot that serves to establish the locale: the pool house at Logan’s. It also reinforces the season; it’s Christmas, and there’s a large Christmas tree lit up in the background.

Once the scene begins, the shots are mostly mid-shots and medium close-ups. The mid-shots are used to help the audience follow Veronica as she moves around the table from guy to guy. The medium close-ups are cut in and used as reaction shots to show the guys’ facial expressions as Veronica explains how she solved the case. The medium close-ups are used to draw in the audience and encourage them to figure out what happened along with the guys. Many of the shots in the scene are also two-shots and are used to underscore the social connections between the characters. For example, Veronica grabs the bottle of Jim Beam sitting in front of Duncan and takes a gigantic swig. While she’s drinking, we can also watch Duncan’s face as he realizes Veronica’s caught him in the act—indeed, in the next shot, Veronica wipes her mouth, announces that the Jim Beam is actually iced tea, and Duncan shame-facedly agrees. If you follow the show, you also know that Duncan and Veronica are ex boyfriend and girlfriend, so the dynamic of her revealing his little secret is even more interesting.

The camera also tracks Veronica on an arc as she moves around the table. This is used to create a sense of circling or prowling, like a tiger closing in on his or her prey, which is similar to what Veronica is doing.

Lastly, the scene also features a number of flashbacks. The flashbacks are pieces of what we’ve seen already, brought up again as Veronica illustrates why those pieces are important. The editor dissolved those pieces of flashback in and out with a bright white light to give the effect of something being remembered.

Lighting

The lighting in this scene is very atmospheric and low-key. Most of the room is dimly lit, with a bluish light filtering in from outside, presumably from the pool. The bluish tint gives the viewer a feeling of cold and hostility, which fits because the situation is tense. As I said, most of the room is dimly lit, with the exception of the card table where everyone is sitting. This also serves dual purposes: it focuses the audience’s attention on the situation at hand and adds to the dramatic tension of the situation. Since the show also draws heavily on the film noir style, the light hanging over the card table might remind the audience of a single light dangling over an interrogation table, like in old crime and detective films.

In the flashback pieces, everything is tinted with a mixture of blue, white, and gray, making the scene look unreal and almost ethereal, much like a memory is.

Sound

The scene uses a little bit of diegetic sound like the patting of foot steps on a hard floor and the clicking of poker chips to make it realistic, but nothing is overdone. It’s merely there is establish the realism that the show strives for.

The editor also uses Veronica’s explanation of the case as a voice-over in the flashback scenes. The purpose is to help the audience understand the plot by combining the images from earlier with Veronica’s explanation of their meaning as it relates to the case. The show as a whole makes extensive use of voice-over from Veronica as a central part of the narrative structure, so it wouldn’t seem at all out of place for the regular audience.

Music

The music in the scene is actually used in a really clever way. It is Christmas during this episode, so the editors used an old carol as background music. However, they chose an instrumental version of “Carol of the Bells” which has an unusual, almost eerie, tip-toeing feeling to it. The version they chose matches perfectly with the mood of the scene; Veronica is constantly moving and unraveling and the music adds an element of eerie playfulness to her little cat-and-mouse game she’s playing with the guys.

Wednesday, June 2, 2010

Rationale for continuing media studies in District 112

Chaska+High+School+currently+offers+several+individual+courses+in+the+field+of+Media+Studies+within+the+English+department%3A+Introduction+to+Print+and+Broadcast+Journalism%2C+Newspaper%2C+TV+Broadcast%2C+and+Media+Studies.+Additionally%2C+all+levels+of+English+courses+at+the+secondary+level+feature+a+section+devoted+to+media+literacy+in+their+course+standards.+Clearly%2C+media+literacy+has+been%2C+is%2C+and+should+continue+to+be+valued+by+this+district+and+community.%0D%0A%0D%0AIn+their+recently+published+plan+%3Ca+href%3D%22http%3A%2F%2Fwww.chaska.k12.mn.us%2Fpdfs%2Fsecondary_redesign.pdf%22%3E%3Cspan+style%3D%22font-style%3A+italic%3B%22%3EEach+Learner+Prepared+for+Success%3A+District+112+Educational+Plan+for+Learning+and+Success+in+the+21st+Century%3C%2Fspan%3E%3C%2Fa%3E%2C+the+secondary+re-design+team+for+District+112+laid+out+its+goals+and+dreams+for+the+district.+As+Superintendent+David+Jennings+says%2C+%3Cblockquote%3E%E2%80%9CEducation+today+is+about+helping+kids+think+critically+and+make+good+decisions%2C+about+helping+them+understand+their+world+and+its+cultures%2C+about+helping+them+embrace+technology+and+understand+both+its+strength+and+its+limitations%2C+about+helping+them+understand+the+difference+between+information+and+knowledge%2C+and+about+giving+them+the+self+confidence+and+skills+to+be+successful.%E2%80%9D%3C%2Fblockquote%3E+The+design+document+then+goes+on+to+lay+out+specific+goals+for+all+secondary+learners%2C+including+a+goal+that+all+graduates+will+be+%E2%80%9Cfluent+users+of+technology+and+information+with+skills+in%3A+reading+and+media+literacy%2C+responsible+use+of+technology+and+information%2C+technology+use%2C+%5Band%5D+the+research+process.%E2%80%9D+Given+this+proclaimed+interest+in+preparing+learners+for+the+21st+century%2C+it+would+seem+hypocritical+and+backward+to+turn+around+and+declare+that+media+studies+aren%E2%80%99t+a+necessary+and+highly+valuable+part+of+the+curriculum.%0D%0A%0D%0ADistrict+112+should+continue+to+include+media+studies+as+part+of+the+curriculum+because+media+studies+provide+students+with+real%2C+relevant+opportunities+to+engage+in+critical+thinking+and+inquiry%2C+collaboration+and+creation%2C+and+the+construction+of+their+own+knowledge.++According+to+Richard+Beach%2C+professor+of+English+Education+at+the+University+of+Minnesota%2C+%E2%80%9Cthe+marginalization+of+media+in+the+curriculum+ignores+the+centrality+of+media+in+our+lives%E2%80%9D+%28Beach%2C+2007%29.+Our+students+live+in+a+world+saturated+by+media%3A+they+watch+%3Ca+href%3D%22http%3A%2F%2Fen.wikipedia.org%2Fwiki%2FJersey_Shore_%2528TV_series%2529%22%3E%3Cspan+style%3D%22font-style%3A+italic%3B%22%3Proxy-Connection: keep-alive
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ersey+Shore%3C%2Fspan%3E%3C%2Fa%3E%2C+text+their+friends+about+what+they+saw%2C+check+Facebook+to+see+what+their+friends+are+doing%2C+zoom+over+to+YouTube+to+check+out+a+video+recommended+by+a+friend%2C+all+while+that+ubiquitous+white+earphone+wire+dangles+down+their+shirt+fronts.+Given+the+constant+presence+of+media+in+their+lives%2C+students+need+to+be+prepared+to+sort+out+and+truly+read+all+the+messages+that+are+rushing+at+them+on+a+daily+basis.+Media+studies+can+help+them+do+this.+Let%E2%80%99s+take+%3Cspan+style%3D%22font-style%3A+italic%3B%22%3EJersey+Shore%3C%2Fspan%3E+as+an+example.+If+you+are+unfamiliar+with+the+show%2C+it+is+an+MTV+reality+show+featuring+a+group+of+Italian-American+young+people+living+on+the+Jersey+Shore.+The+show+is+full+of+stereotypes+that+are+demeaning+to+men%2C+women%2C+young+people%2C+and+ethnic+groups+alike.+That+being+said%2C+the+show+is+still+wildly+popular.+%3Cspan+style%3D%22font-style%3A+italic%3B%22%3EJersey+Shore%3C%2Fspan%3E+has+spawned+catch+phrases%2C+hairstyles%2C+and+dance+moves%2C+and+the+young+stars+of+the+show+recently+re-negotiated+their+contracts+with+MTV+to+receive+%2410%2C000+an+episode+for+their+second+season.+In+a+curriculum+featuring+media+studies%2C+a+teacher+could+take+this+highly+popular+show+and+use+it+as+a+modern%2C+relevant+media+text.+The+teacher+and+students+could+employ+their+critical+thinking+skills+to+examine+what+this+show+is%2C+how+and+why+it+is+constructed+the+way+it+is%2C+and+the+underlying+assumptions%2C+attitudes%2C+and+prejudices+promoted+by+the+show.+Then%2C+the+teacher+could+offer+a+critical+inquiry+project+where+students+examine+how+prejudices+and+stereotypes+are+perpetuated+by+reality+TV+shows+like+%3Cspan+style%3D%22font-style%3A+italic%3B%22%3EJersey+Shore%3C%2Fspan%3E.+The+students+could+foster+their+critical+thinking+and+research+skills+by+researching+how+reality+shows+work%2C+who+controls+them%2C+and+what+those+in+control+have+at+stake%2C+among+other+things.+Students+could+then+collaborate+in+small+groups+or+as+a+class+to+formulate+alternatives+to+what+is+currently+being+offered+in+the+reality+TV+genre.+They+could+create+blogs%2C+wikis%2C+or+websites+to+share+their+information+and+invite+the+public+to+check+out+their+work+and+possibly+sign+a+petition+the+students+created+to+send+to+the+heads+of+several+media+conglomerates.+The+possibilities+are+endless%2C+rewarding%2C+and+incredibly+enriching.%0D%0A%0D%0AMaintaining+our+commitment+to+media+studies+in+our+curriculum+is+absolutely+vital+to+the+success+of+our+children.+By+teaching+them+to+be+critical+consumers+and+producers+of+media+texts%2C+we+are+creating+constructive%2C+intelligent+citizens+of+the+world.+As+Pat+Kipping+reminds+us%2C+%E2%80%9CMedia+literate+people+know+how+to+act%2C+rather+than+being+acted+upon.+In+this+way%2C+media+literate+people+are+better+citizens.%E2%80%9D+Let%E2%80%99s+re-commit+to+making+our+students+better+citizens+of+the+world.%0D%0A%0D%0A%0D%0ABeach%2C+R.+%282007%29.+Teachingmedialiteracy.com%3A+a+web-linked+guide+to+resources+and+activities.++++++%0D%0A+++++++++New+York%2C+NY%3A+Teachers+College+Press

Tuesday, June 1, 2010

Teaching Film, TV, and Media Studies: Week 1 post


Beach, Introduction and Chapter 1:

As I was reading the introduction to Beach’s book and chapter 1, what struck me was the constructivist nature of his approach to Media Studies. He seems to give a great deal of weight to our own readings and creations of media texts, while at the same time encouraging a critical examination of the media texts that surround us, including our self-authored texts. It reminds me a great deal of the Tech Tools for Educators class that I took a couple years ago. In that class, we examined and used a variety of Web 2.0 tools, like blogs, wikis, and other things I’ve unfortunately forgotten. One of the major discussion points we kept coming back to was the idea of constructivism. We discussed endlessly how we could use technology and Web 2.0 tools in our quests for more constructivist learning with our students. Beach’s first three points in chapter 1—Media/Film Study helps students build upon their own “active use of the media,” “move digital literacies from the bedroom to the classroom,” and “learn to communicate in multimodal ways”—remind me very strongly of those constructivist conversations. Beach’s approach appears to be active, rather than passive—students do not just mindlessly consume media. They are constantly creating and re-imagining, constructing their own texts and communications. I really liked Beach’s point about moving digital literacies into the classroom It is so easy to say, “I don’t need to teach them about technology; they’re smarter than I am!” But the sad truth is that they are seriously lacking a full understanding of how they can use these technologies. I also liked this point because I think it lends itself nicely to what seems to be Beach’s other main concern: critical literacy.

I think this is the part of his…philosophy, for lack of a better word, that resonated with me the most. As much as I want kids to be constructing their own learning and knowledge and using technology to communicate in “multimodal” ways, I’m more concerned about their ability to see through, question, and challenge the reality that media producers try to construct for them. The constructivist piece is vitally important, because once a person understands how knowledge and information can be constructed and manipulated, that person can begin to examine how the media messages we’re fed on a daily basis are constructions as well. I especially liked his point about the importance of students recognizing that “the meanings of these texts do not actually lie “in” the text, but rather in how audiences construct the meaning of media texts within specific social contexts.” I’ve found that students often have a difficult time prying themselves away from the here and now, the me, and the immediate present to really, truly, truthfully consider alternate points of view, which is such an important skill!

I really am looking forward to digging into this more deeply and figuring out how to implement it in my classroom, but my brain is getting foggy, so I think it’s time to hit the hay. Night all!!